Evora - Part 6 - Renaissance
The Renaissance is a mixed period in the city. Royal favour shown by King João II and his successor Manuel I (1495-1521) had resulted in Évora becoming one of the most important centers in 16th century
It was King João III (1521-1557) whose patronage provided the requisite impulse for the regeneration of the city with works fit for a capital. The court was filled with Latin poets and avant-garde artists and sculptors.
From 1537, however, the court abandoned the city leaving it in the hands of the increasingly powerful archbishops and the Counter-Reformation. With the founding of the Jesuit university (1559) and the adjoining Colegio Espiritu Santo (
The buildings flowing from this new influence are more stark and simplistic, some would say dry and austere.
But before this the flowering of the Renaissance was in full bloom as seen in Our Lady of Grace Church.
The façade (1537-40) is the most notable decorative effort of the Renaissance in
The church originally a small public chapel, was given by the bishop in 1520 to the Augustine monks who integrated it with a small monastery near the chapel. The major works that created the church of today were done under the patronage of King João III.
The four statues decorating the pediment of the church are thought to be 4 giants symbolising the four corners of the earth and thus
They are affectionately known by the Évorans as the “Children” of Grace.
Évora is an enchanting, accessible walled city with well preserved sites within walking distance of one another. Unlike
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